Rating
TV-PG
Where to watch
Paramount+
Release date
Nov. 22, 2023
Overall Score
Rating Overview
Story/Plot/Script
Visuals/Cinematography
Performance
Direction
Age Appropriate
Parent Appeal
Non-Wokeness
Rating Summary
Good Burger 2 is a goofball comedy that unashamedly leans into its complete and utter lack of sophistication. It's possible that fans of the skits and the 1997 movie will appreciate Good Burger 2 for the sake of nostalgia, but with it's unnecessary and out of place cursing juxtaposed with its childish... everything else, as well as its host of generic characters, it's hard to say exactly who the intended audience is.
Audience Woke Score (Vote)
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Good Burger originated as a recurring sketch on the Nickelodeon sketch comedy series “All That.” Premiering in 1994, “All That” featured a variety of comedic sketches aimed at a young audience. The Good Burger sketch, starring Kenan Thompson and Kel Mitchell as bumbling employees of a fast-food restaurant, quickly became one of the show’s most popular segments. Due to its popularity, Nickelodeon decided to adapt the sketch into a feature-length film released in 1997. The movie retained the charm and humor of the original sketch, further solidifying its place in 90s pop culture.

Good Burger 2 Review

In “Good Burger 2,” Dexter Reed’s dreams of entrepreneurial success turn to ashes when his inventions flop spectacularly. After a fiery mishap destroys his home, Dexter turns to his old pal Ed for refuge. Returning to Good Burger, Dexter finds a motley crew of new employees, including Ed’s lookalike son and Dexter’s skeptical niece. Amidst corporate pressure to franchise the beloved eatery, Dexter and Ed unwittingly sign a contract, leading to betrayal and robot takeovers.

 

PARENTAL NOTES

It’s PG, But It Didn’t Need To Be
  • I didn’t take many points off for these because the film is rated PG. However, that rating is a direct result of these unneeded inclusions.
    • In a brief scene, a pop star is mid-concert with a host of not-exactly scantily nor modestly clad women gyrating on stage.
    • There are a number of completely unnecessary curse words scattered throughout: “Hey Jackass,” “hell no,” and “punkass.”
      • I’ll never understand why these filmmakers today can’t just leave it out and choose to protect our children. Even though I didn’t mark the movie down much for this, it’s a non-starter for my wife and me regarding our young children.
    • The villain legitimately tries to murder the leads in one scene while one of those leads screams, “We’re gonna die. We’re gonna die.”

WOKE REPORT

Maybe
  • One could argue that the main villain being a woman this time was a woke decision, but honestly, I think that’s giving the filmmakers too much credit.
Then Again
  • The only characters who aren’t complete idiots, evil, selfish, etc, are men. However, the one or maybe two aren’t superwomen, just not bad or morons.
    • There’s a very diverse cast of stupid and evil people. No one is left behind.
Mother Forking Shirt Balls
  • Every aspect of this film screams, “Stupid children’s movie,” except for the cursing and the brief mid-drift gyrating.
    • The points taken off are for modernity’s insistence on not protecting children.

James Carrick

James Carrick is a passionate film enthusiast with a degree in theater and philosophy. James approaches dramatic criticism from a philosophic foundation grounded in aesthetics and ethics, offering insight and analysis that reveals layers of cinematic narrative with a touch of irreverence and a dash of snark.

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