The Not-Too-Late Show with Elmo

There are no sunny days on The Not-Too-Late Show with Elmo. It's a sad copy of former greatness
48/100731
Starring
Ryan Dillon, David Rudman, Samantha McDanel
Creator
Joe Fallon
Rating
TV-Y
Genre
Comedy, Family, Music
Release date
May 21, 2020
Where to watch
PBS Kids
Overall Score
Rating Overview
Story/Plot/Script
Visuals/Cinematography
Performance
Direction
Age Appropriate
Parent Appeal
Non-Wokeness
Rating Summary
Audience Woke Score (Vote)
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The Not-Too-Late Show with Elmo is a late-night talk show hosted by Sesame Street Muppet Elmo, featuring celebrity guests and musical performers in segments focused on daily wrap-up activities. Cookie Monster and other Muppets join Elmo for games, songs, and memory challenges centered on themes like bath time, pets, or arts and crafts. The show premiered in 2020 on HBO Max with a 13-episode first season and shifted to a game-show format in its second season, emphasizing activities tied to bedtime routines.

The Not-Too-Late Show with Elmo Mini-Review (S1: E10)

The Not-Too-Late Show with Elmo is the Disney Star Wars of children’s educational entertainment. The IP’s new custodians have flayed everything that made the original special and left a lifeless husk of bright colors and loud noises vaguely shaped like Sesame Street in its place.

PARENTAL NOTE

TV-Y
  • With the exception of what’s in the Woke Report below, everything is age-appropriate, if vapid.

WOKE REPORT

Uber-Schwul
  • The obnoxiously performatively homosexual Jonathan van Ness, who coincidentally is the “grooming expert” on Queer Eye, flitters around from scene to scene giving a makeover to another male character while wearing a woman’s pink cashmere sweater and a skirt.
    • van Ness is not merely boisterously gay, but a mentally ill man who believes that he belongs to a non-existent gender. Though at least that’s not mentioned during the program.

James Carrick

James Carrick is a passionate film enthusiast with a degree in theater and philosophy. James approaches dramatic criticism from a philosophic foundation grounded in aesthetics and ethics, offering insight and analysis that reveals layers of cinematic narrative with a touch of irreverence and a dash of snark.

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