
- Starring
- Daniel Dae Kim, Reina Hardesty, Louis Landau
- Creators
- Steph Cha, Ken Woodruff
- Rating
- TV-MA
- Genre
- Action, Spy, Thriller
- Release date
- Aug 13, 2025
- Where to watch
- Prime Video
Overall Score
Rating Overview
Rating Summary
Butterfly on Prime Video follows David Jung, a former U.S. intelligence operative living in hiding in South Korea, whose past catches up when a deadly assassin, tied to the sinister spy organization Caddis, is sent to hunt him. The series weaves high-stakes espionage with complex family dynamics, as David navigates betrayal and danger to protect those he loves
Butterfly Review (Season 1)
After a strong opening sequence, Butterfly floats on a formulaic two-step that’s continually interrupted by cloned relationship drama, which is flattened by Kim’s less capable costar.
WOKE REPORT
Modern Chicks
- The main baddy is a woman who heavily armed, burly men (who are also trained killers) would never follow. She’s completely non-menacing and off-putting in the role.
- One of the main characters is the trained assassin daughter of a trained assassin. The showrunners do a fair job of not overpowering her and of at least attempting to realistically represent what a hand-to-hand confrontation between a woman of her size and a much larger male with training might be like. However, her personality is right out of The Guide to Being a Female 20-Something TikTok Douché. It’s so modernly disgusting that it nearly ruins the show.
- With the exception of the main character, there’s a fair bit of gender role reversal.
- Tough and stoic female main baddy has a soft male son whose weakness becomes a liability.
- Tough and stoic female assassin has a quick nooner hookup with a male coworker. He indicates that he’d like to do more than bang, and she gives him a withering look, implying that he’s being ridiculous because she’s not into emotional connection and just wanted meaningless sex.
James Carrick
James Carrick is a passionate film enthusiast with a degree in theater and philosophy. James approaches dramatic criticism from a philosophic foundation grounded in aesthetics and ethics, offering insight and analysis that reveals layers of cinematic narrative with a touch of irreverence and a dash of snark.
