The Senior

In The Senior, Mike Flynt, a 59-year-old former college football player, returns to Sul Ross State University to play his final year of eligibility, 35 years after being kicked off the team. Driven by faith and a desire to settle unfinished business, Flynt faces skepticism and physical challenges but pushes forward to prove to his family, teammates, and himself that it’s never too late to chase your dreams.

The Senior Review

Football movies are as American as apple pie, a cinematic tradition stretching back to Harold Lloyd’s 1925 silent classic The Freshman. The gridiron’s a natural stage for high-stakes drama—sweat, sacrifice, and the roar of the crowd make even a half-baked football flick pulse with energy. The Senior, Angel Studios’ latest, has all the raw materials for a heart-pounding tale: a true story of an aging man chasing redemption, a fractured father-son bond, and the weight of childhood trauma begging for resolution. It’s a script that practically writes itself. But while The Senior fumbles its way toward the end zone, it never quite scores the touchdown it’s aiming for.

                   

The film centers on Michael Chiklis as Mike Flynt, a 59-year-old former college football player who gets a second shot at glory by returning to the field. The setup’s ripe with potential—redemption, grit, and defying the odds. Chiklis delivers a solid performance, grounding the story with a weathered intensity that makes you root for him. Yet, the movie stumbles in fleshing out its core conflicts. A rivalry with a teammate, sparked by Flynt’s roster spot displacing the teammate’s friend, is teased early on but fades into the background, only to be hastily tied up with a few throwaway lines at the end.

This resentment could’ve fueled a compelling arc, but we get little depth on their relationship or why it matters so much to the rival, leaving the conflict feeling like a missed opportunity. Similarly, the team dynamic never quite gels. Flynt bonds with the quarterback in a few scenes, but like other elements, it lacks visceral depth, skimming the surface of what could’ve been a rich camaraderie. The rest of the team might as well be NPCs—faceless placeholders who cheer or scowl without leaving a mark.

The father-son dynamic between Flynt and his estranged dad fares slightly better but still feels undercooked. The emotional beats are there—trauma, regret, reconciliation—but they’re resolved too neatly, too quickly, lacking the messy depth that could’ve hit harder. Even more puzzling is the underuse of Rob Corddry as the head coach. His character’s vaguely antagonistic vibe toward Flynt never crystallizes into a clear conflict, and a late-game revelation that Flynt’s the “heart of the team” lands with a thud, unearned by their minimal interactions. The absence of a real antagonist doesn’t help; a last-minute attempt to pit Flynt against a random opponent in the final game feels tacked-on and hollow.

Where The Senior shines is in its pacing and production. The film moves briskly, keeping casual viewers engaged despite its flaws. Angel Studios sidesteps the soap-opera sheen that plagued some of their earlier work—no 4K “soap opera effect” here. The visuals are crisp, and the football sequences deliver the visceral crunch you’d expect. Flashbacks, often a crutch in Christian cinema, are used sparingly after an initial flurry, adding emotional weight without derailing the momentum. Chiklis and the supporting cast carry the film, their performances papering over some of the script’s gaps. The universal themes—redemption, perseverance, family—let audiences fill in the blanks from their own experiences, giving the movie more resonance than it might deserve.

Still, the dialogue occasionally clunks, struggling to match the subtext’s emotional heft. And while The Senior aims for a story-first approach, its Christian undertones feel oddly half-baked. A revelation that Flynt’s father found faith late in life could’ve been a powerful pivot, but it’s treated as another underdeveloped thread, never weaving Christ into the narrative’s core. For a studio like Angel, known for weaving faith into its films, this feels like a missed chance to lean into the subtext without preaching.

Ultimately, The Senior is a decent watch, buoyed by its pacing, Chiklis’s grit, and football’s inherent drama. It’s not a game-changer, but it’s not a fumble either. Casual fans will likely overlook the thin plotting thanks to the sport’s natural pull. For those craving a deeper exploration of its themes or a team that feels alive, though, The Senior leaves you wishing it had spent less time on training montages and more on the heart of its story.

WOKE REPORT

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