Truth & Treason

Hopeful and heartbreaking, Truth & Treason is the best thing Angel Studios has done since Sound of Freedom
87/10023653
Starring
Ewan Horrocks, Rupert Evans, Ferdinand McKay
Director
Matt Whitaker
Rating
PG-13
Genre
Drama, History, Thriller
Release date
Oct 17, 2025
Overall Score
Rating Overview
Story/Plot/Script
Visuals/Cinematography
Performance
Direction
Non-Wokeness
Rating Summary
While some slightly underdeveloped characters keep it from reaching its full potential, solid performances and an inherently compelling story make Truth & Treason a tale of courage worth watching.
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In the shadowed grip of Nazi Germany, as World War II tears the world apart, a sharp-eyed teenage boy named Helmuth Hübener grapples with the poison of propaganda when his beloved Jewish neighbor vanishes into the regime’s maw. Drawn to forbidden BBC broadcasts crackling through a hidden radio, he rallies two steadfast friends into a ragtag band of rebels, churning out leaflets that scorch the Führer’s lies and ignite whispers of defiance among the fearful masses. But with the Gestapo’s boots echoing ever nearer and his own bishop preaching blind obedience, Helmuth faces a gut-wrenching crossroads: cling to hollow patriotism or stake his young life on the raw fire of truth & treason.

Truth & Treason Review

As horrific a moment in human history as the Holocaust was, it was also a time of heroes. Men like Dietrich Bonhoeffer, Sir Nicholas Winton, and many others risked, and often sacrificed, their lives to save their fellow man from Hitler’s demonic regime. Sixteen-year-old Helmuth Hübener’s story may not be as romantic as some others, but his courage is undeniable.

Truth & Treason tells of Helmuth’s humbling defiance with the same proficiency as any major film studio, and better than most from the last twenty years. It is without a doubt the best film that Angel Studios has produced since 2023’s Sound of Freedom. The performances are solid, though the use of exclusively English accents in a story set in Germany can be slightly distracting at first. Still, the film also succeeds as both a technical and structural achievement.

The pacing is brisk and the storytelling strong enough that 2 hours fly by. The visuals, while perhaps not otherworldly, do an excellent job of transporting the audience to and keeping them in 1941 Hamburg. Writer/director Matt Whitaker should be commended. For a director with an incredibly limited history, he shows remarkable instincts in keeping a story cohesive and flowing. Christian films need more directors like him.

Vintage black-and-white portrait of Helmuth Hübener, the courageous teenage German resistance fighter against the Nazis, in a formal suit and tie, featured in a review of Angel Studios' upcoming WWII film Truth & Treason (2025).
16-year-old Hermuth Hübener

Perhaps the most surprising aspect of Truth & Treason is how expertly it weaves Christian themes into the narrative—avoiding both the heavy-handed and inorganic preachiness common in many faith-based films and the awkward vagueness of those that try too hard not to come across as such, whilst still imparting a Christian message. The mission of these types of movies is to touch the hearts of non-believers and bridge the gap between mainstream films and those of faith. In that, Truth & Treason is a triumph for Christian films.

Unlike most of Angel’s recent offerings, Truth & Treason’s writers, Ethan Vincent and Matt Witaker, don’t rely on momentum-breaking and unnecessary flashbacks as narrative crutches to substitute for subtext. Instead, they let the inherent drama breathe and unfold more naturally, understanding that giving us a sympathetic lead about whom to care will do most of the heavy lifting.

If there’s a criticism to be had, it’s that the filmmakers are a bit overreliant on History to provide context and evoke an emotional response from the audience. It is true that movies that stray too far from historical accuracy in the name of drama can be frustrating, especially when the reality possesses sufficient emotional weight. 2022’s The Woman King barely eked out a profit thanks to its wild deviation from the truth. In it, a group of noble and virtually unstoppable female warriors face off against evil foreign invaders possessing vastly superior firepower. In reality, the tribe represented in the film was among the chief tribes responsible for capturing and selling Africans to European slavers, and the female warriors were annihilated in their very first confrontation against the colonists.

However, it’s also possible to adhere too stringently to biographical accuracy in lieu of dramatic oompf— something that similar Angel Studio films like Bonhoeffer: Pastor, Spy, Assassin have suffered from. Bonhoeffer’s short life was so full of harrowing events that its filmmakers tried to at least touch on as many as possible, which left little time for pathos. Truth & Treason sets a much better balance, but leaves the audience’s varying degrees of WWII knowledge to fill in a number of emotional blanks. A more fully developed villain to channel our fear and loathing, or a stronger central relationship to anchor the story, would have created a deeper and more visceral connection.

That said, the real-life story of one of the youngest dissidents in World War II Germany contains sufficient gravitas to make Truth & Treason Worth it, even if a touch more artistic license might have elevated it to the next level.

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James Carrick

James Carrick is a passionate film enthusiast with a degree in theater and philosophy. James approaches dramatic criticism from a philosophic foundation grounded in aesthetics and ethics, offering insight and analysis that reveals layers of cinematic narrative with a touch of irreverence and a dash of snark.

2 comments

  • Shelve3-Cushy0

    October 11, 2025 at 1:51 am

    Neato. How’d you manage to watch it before it’s been released? Does this mean you’ve gained enough clout to be invited to advance screenings? Looking forward to this one.

    Reply

    • James Carrick

      October 11, 2025 at 10:48 am

      Angel Studios has been great about providing us with screeners for about two years now. As far as other screenings go, I get invited occasionally. Though, it’s been a few months. The last one that I went to was for Oh, Hi! in July.

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