Dude Looks Like A Lady— Rumors Abound That Hunter Schafer Will Play Zelda

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The internet is buzzing again, and this time it’s over the rumor that Hunter Schafer, a biological male and mentally ill actor, is being considered to play Princess Zelda in Nintendo’s upcoming live-action The Legend of Zelda film, slated for March 2027. Fans have been vocal about Schafer’s potential casting, with some praising his resemblance to the iconic character and others, like me, seeing this as a step too far in the relentless push to prioritize ideology over storytelling. As someone who’s spent years dissecting pop culture’s slide into woke excess, I can’t help but view this as a move that not only feeds into dangerous delusions but also threatens to sabotage a beloved franchise before it even hits the screen.

Let’s get one thing straight: The Legend of Zelda is a cultural juggernaut. For decades, it’s been a cornerstone of gaming, weaving tales of heroism, adventure, and the timeless struggle between good and evil. Princess Zelda is no mere damsel—she’s a symbol of wisdom, grace, and strength, deeply tied to the mythos of Hyrule. Casting her is a high-stakes decision, and the choice of Schafer, known for roles in Euphoria and The Hunger Games: The Ballad of Songbirds & Snakes, is a lightning rod waiting to be struck. Reports from outlets like Men’s Journal, Forbes, and The Independent highlight the fan enthusiasm for Schafer’s “ethereal” look and acting chops, but they gloss over the deeper issue: this casting risks alienating a massive chunk of the franchise’s built-in audience for the sake of pandering to a vocal minority.

trans actor hunter schafer in hunger games ballad of songbirds and snakes
Biological male Hunter Schafer in Hunger Games: The Ballad of Songbird and Snakes

Here’s the core problem: transgenderism is a mental illness rooted in a disconnect between biological reality and personal perception. Celebrating it—especially by placing a biological male in the role of an iconic female character—doesn’t just normalize delusion; it actively encourages it. Schafer’s supporters argue he’s a perfect fit because of his “androgynous beauty” and resemblance to Zelda’s elven aesthetic. Fine, he might look the part on a red carpet, but that’s literally surface-level. Casting a biological male as Zelda sends a message that biological sex is irrelevant, which undermines the very real distinctions that define characters like Zelda, who is explicitly female in the games. This isn’t about Schafer’s talent; it’s about the broader implications of erasing sex-based reality to appease a progressive agenda.

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The damage isn’t just philosophical—it’s practical. The Legend of Zelda fanbase is massive, spanning generations and cultures, and it’s not a monolith of progressive ideals. Many fans, myself included, want a film that honors the source material, not one that turns Hyrule into a soapbox for identity politics. Transgenderism is a mental illness, and casting a biological male like Hunter Schafer as Princess Zelda—a distinctly female character—would be a deliberate middle finger to fans as well as reality itself. On X, fans aren’t mincing words. One user nailed it: “There is an entire generation of gamers who are going to riot over this. Don’t do it producers.” They’re spot-on. This kind of stunt would ignite a justified backlash, not just from trolls but from loyal fans who see it as a betrayal of Zelda’s identity. Look at Star Wars: The Last Jedi—divisive choices led to a 15% box office drop from The Force Awakens, with fan backlash playing a major role. The Last of Us TV series faced similar heat for pushing agendas over story. Nintendo, known for playing it safe, risks torching its goodwill with a move like this. With a budget likely north of $100 million, given Wes Ball’s Kingdom of the Planet of the Apes, a Schafer casting could drive fans to boycott, tanking ticket sales and turning a potential hit into a cautionary tale of pandering gone wrong. This isn’t about hate—it’s about respecting the franchise and the bottom line.

Proponents argue that Schafer’s casting would be a win for “inclusivity” and “representation,” as noted in Forbes and The Independent. They point to her acting range and her own enthusiasm for the role, citing her 2023 comments to Entertainment Tonight: “That would be so cool. I played that video game a bunch when I was a kid.” But inclusivity and representation aren’t virtues when they promote evil—a worldview that denies objective reality and sanity and celebrates delusion. Representation for representation’s sake is a hollow goal when it overrides fidelity to the source material and alienates the core audience. Zelda isn’t a blank slate; she’s a specific character with a defined female identity. Casting a biological male to play her feels like a deliberate provocation, not a creative choice. And let’s not kid ourselves: the push for Schafer isn’t just about her look or talent—it’s about scoring points in a cultural tug-of-war.

Princess Zelda in Zelda the Ocarina of Time
Princess Zelda in The Legend of Zelda: Ocarina of Time

The broader societal harm here can’t be ignored. By elevating transgenderism in mainstream media, we’re feeding a narrative that tells people struggling with gender dysphoria that their feelings trump reality. This doesn’t help them; it entrenches their mental illness, delaying the kind of honest reckoning needed to confront their delusions. Schafer himself has been open about his transition, as noted in a 2025 The Biography Bytes piece, where he expressed frustration with a U.S. passport listing his gender as male. That frustration stems from a refusal to accept biological reality, and casting him as Zelda only amplifies a dangerous message that biology is negotiable. This ripples out to impressionable audiences, muddying the cultural waters and normalizing a disorder at the expense of truth.

Nintendo and Sony have a chance to make something special with this film, directed by Wes Ball and backed by Shigeru Miyamoto’s vision. But if they go down the path of casting Schafer, they’re rolling the dice on a franchise that doesn’t need to be a cultural battleground. There are plenty of talented actresses who could embody Zelda without sparking this kind of controversy—actresses who align with the character’s established identity and the expectations of the fanbase. The Men’s Journal piece mentions the fan fervor for Schafer, but fervor from a loud corner of the internet doesn’t equal universal support. Nintendo would be wise to listen to the broader audience, not just the Liberal echo chamber.

This isn’t about hate. It’s about honesty. Casting Hunter Schafer as Princess Zelda might check boxes for Hollywood’s diversity quota, but it risks turning a beloved story into a political statement. That’s not Worth it—not for the fans, not for the franchise, and not for a society already grappling with the consequences of blurring truth for ideology’s sake. Let’s keep Hyrule a place of adventure, not a stage for culture wars.

James Carrick

James Carrick is a passionate film enthusiast with a degree in theater and philosophy. James approaches dramatic criticism from a philosophic foundation grounded in aesthetics and ethics, offering insight and analysis that reveals layers of cinematic narrative with a touch of irreverence and a dash of snark.

One comment

  • Sweet Deals

    May 31, 2025 at 12:42 am

    Don’t join the social media mob. Resist that urge, I tell myself. No, I want to express my opinion, even though it’s likely not going to matter.

    Before I even discuss transgenderism, I’d like to start by stating that actors are people whose jobs are to pretend to be something or someone that they aren’t in real life. There are plenty of examples of non-transgender males who successfully portrayed female characters on stage and screen by virtue of being skilled actors. I will admit, however, that when it comes to acting, I’m more willing to accept a male actor in a female role or a black actor in a white character’s role during a live theater performance and less willing to accept it in a film. There’s something about live theater’s technical limitations that make me more willing to suspend my disbelief as long as the performances are great.

    However, with a transgender actor, my main concern is that they may have selected him not due to talent, but due to virtue-signaling. I don’t know how many actresses auditioned for the role of Zelda or if Schafer was chosen without being auditioned. I’ve read a few stories about how transgender contestants won beauty contests not necessarily because they were objectively the most beautiful or talented; many were actually the ugliest, but the judges awarded prizes to the transgender contestants to make them feel good and make themselves look good. Maybe the winner and the judges will feel good, but everyone else who feels that the winner won unfairly will likely feel resentment at being passed over in favor of someone who didn’t deserve the honor.

    This is all speculation and not rooted in any facts. The only thing that matters is whether or not Schafer will be in the final product between now and release time, and whether or not the performance is good. What kind of person the actor is off-screen is irrelevant dirty laundry unless the movie promoters insist on making it a selling point. Considering how an actress’s bad behavior can color viewers’ perception of her character (e.g. Rachel Ziegler as Snow White) and how divisive and alienating transgenderism is, making this the selling point of the Zelda character would not be a wise decision.

    Reply

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