When it dropped in 2017, Star Trek Discovery boldly went… to Hell and quickly. It tackled flashy visuals, relentless drama, and a never-ending IV drip of “modern” ideologies. It’s not overstating things to say that the voyage was anything but smooth. Criticism of its storytelling, disregard for legacy characters, and obsession with progressive messaging turned longtime fans away in droves. And now? Not only has Discovery been canceled, but some claim it’s been officially erased from the treasured Star Trek canon altogether.
If true, this development marks a potential reckoning for Paramount, correcting course after years of alienating the fanbase. But has it really been wiped from Trek history, or is this another ambiguous move to placate frustrated fans?
From day one, Discovery sparked division. Sure, Star Trek has always leaned into progressive ideals—Captain Picard’s relentless anti-theism in The Next Generation (especially in early seasons) still rubs many conservatives the wrong way (I mean… you can except that there are all powerful beings in the universe – having met them personally – but God is a bridge too far)—but Discovery felt different. It pushed past classic Trek’s introspective exploration of race and unity toward agendas many fans find overbearing and just plain nuts.
The protagonists became archetypes of “modern messaging.” Female captains who embodied the all-too-common “girl boss” template were stacked next to literal beta-male counterparts written as less competent for cheap “empowerment” points. In addition, the show latched onto divisive cultural narratives, such as its treatment of the trans movement, fueling irreconcilable debates within the fanbase (on one side, the norms; on the other, the bearded Spocks who think that feelings determine gender).
Worse still, longtime fans were livid at how Discovery handled legacy. Iconic species like the Klingons were absurdly redesigned into unrecognizable caricatures. Even Star Trek royalty like Picard was maligned in the wider Kurtzman-driven universe, portrayed as a bitter has-been in Picard until fan outcry forced a last-minute fix.
The result? A series that felt “un-STAR TREK.” It was brooding, disjointed, and gritty in ways the franchise never needed to be.
Here’s where it gets interesting. While Paramount has officially canceled Discovery after its fifth season, the recent final episode of Star Trek Lower Decks (also now canceled and divisive) seems to confirm that Discovery exists in an alternate universe, rather than the “prime” timeline of iconic Trek.
Fans point to a multiverse subplot in Lower Decks where Klingons are transformed into alternate-reality versions—their design matching the disastrous Discovery-era Klingons. This, coupled with Paramount sidelining Discovery into the far future after disastrous early seasons, has fueled claims that Discovery has been quietly “decanonized.”
Some media outlets, like CosmicBook.com, see this as closure. The timeline mess is now explained (Discovery = alternate reality, prime universe = intact), and Paramount seems willing to distance itself from the chaos it caused. After all, other modern series like Strange New Worlds (suuuuupeeerrr woke) have returned Klingons to their classic look, further separating the Discovery-verse.
Here’s the rub—does a gag in Lower Decks really hold the authority to erase years of messy storytelling?
For skeptics, Paramount’s lack of clear messaging adds fuel to the fire. Simply shuffling Discovery into an “alternate universe” raises angled Vulcan eyebrows. If different realities can overlap within both the Kelvin and Prime timelines, then how does Discovery not still coexist in some way, however begrudgingly?
Until Paramount explicitly states these moves as canon erasure, fans will likely remain split. To many, this feels more like throwing a bone to dissenters than a formal reversal.
Regardless of what fans believe about Discovery’s status, the latest decisions reflect a franchise desperate to correct course. Between Discovery’s cancellation, Lower Decks’ demise, and Picard’s 180° swan song, all eyes are on Paramount’s next moves.
But before fans get too excited, consider this—upcoming projects like Starfleet Academy (2025/2026) and Section 31 seem poised to deliver more of the same insufferable “modern Trek” formula. With Michelle Yeoh reprising her Discovery character in Section 31, it’s clear Paramount isn’t ready to fully abandon the shadow its most divisive series cast over the franchise.
Meanwhile, it’s rumored that Abrams-era Trek films might return. But after so much damage, does such a move have the potential to reignite fans’ love, or will it drift deeper into irrelevance?
Whatever becomes official in Discovery’s reportedly erased legacy, one thing is clear—it left a fractured fandom, one that Paramount is now scrambling to appease.
Star Trek thrives when it holds a mirror to humanity’s highest ideals, not when it wields trendy buzzwords like a blunt object. Fans—from conservatives to centrists to longtime progressives—long for its return to intelligent sci-fi storytelling that engages audiences of all walks of life.
Until then, we raise a glass of Romulan Ale to the Trek we once knew.
Brent Decker
Brent Decker is a devoted Christian and husband, proud father, and your freshest source for all things entertainment news. While he may be new to the exhilarating world of showbiz updates, he's geared up to bring you captivating insights and intriguing tidbits.
4 comments
Grant
December 26, 2024 at 9:49 pm
I’m disappointed in myself for reading this entire article, and even moreso for commenting about it.
James Carrick
December 26, 2024 at 11:59 pm
I wouldn’t worry. I doubt that many expect much from you. 😉
Sweet Deals
December 27, 2024 at 5:56 pm
I’m not a Star Trek fan by any means. When I watch the original series in reruns, most of what I remember is laughing uproariously at how hilarious I think it is. I even thought Next Generation had its moments of being hilarious, too. Star Trek may be a “serious” show, but I think it’s at its best with a garnish of cheese sprinkled on top of it.
That said, I couldn’t stand in the same room with Discovery for more than a few minutes without complaining about how annoying the crew was. My Dad is far less sensitive than me and will watch pretty much anything action and thriller oriented, and after a while even he gave up on watching Discovery when the plot became too convoluted for him to follow or care about.
I figured that whatever Discovery’s problems were (and I only watched it for a few minutes), it basically depicted what the modern entertainment industry thinks is “glamorous”, but really only impresses other people who live inside that bubble. If storytelling draws from personal experience, then I would speculate that the entertainment industry has become too insular. They’ve forgotten what life is like outside the bubble. Because of that, they can’t relate to ordinary people and they can’t make good television. That, and if one of the major motivations for writing bad stories is to intentionally tick off your audience, then don’t be surprised when large parts of that audience don’t want to watch your television show anymore.
fdsfs
December 28, 2024 at 7:52 pm
Star Trek has become woke garbage. All black and gay bulls### now so Hollywood looks progressive.