The Franchise

The Franchise takes a jab at the behind the scenes antics of a tent pole film in a massive superhero cinematic universe
79/10012023
Starring
Himesh Patel, Aya Cash, Jessica Hynes
Creators
Jon Brown, Armando Iannucci, Sam Mendes
Rating
TV-MA
Genre
Comedy
Release date
Oct 6, 2024
New Episodes
Sundays
Where to watch
Max
Overall Score
Rating Overview
Story/Plot/Script
Visuals/Cinematography
Performance
Direction
Non-Wokeness
Rating Summary
Just ridiculous enough to be believable, the inaugural episode of The Franchise is a well-paced and refreshingly restrained satirical take on what it takes to make a special effects heavy superhero film that is only one cog in a multi-billion dollar cinematic universe. It's cast is solid and believable as they skillfully balance between melodrama and farce and the overly dry -everyone's-an-unlikable-douche mockumentaries that have begun to define the genre.

In Max’s The Franchise, a film crew navigates the chaotic and often absurd process of creating a superhero movie within a massive superhero cinematic universe.

The Franchise (S1:E1)

Just ridiculous enough to be believable, the inaugural episode of The Franchise is a well-paced and refreshingly restrained satirical take on what it takes to make a special effects-heavy superhero film that is only one cog in a multi-billion-dollar cinematic universe. Its cast is solid and believable as they skillfully balance between melodrama and farce, and the overly dry -everyone ‘s-an-unlikable-douche mockumentaries that have begun to define the genre.

 

The Franchise (S1:E2)

The tension is heating up as personalities collide. Already, thin alliances are strained as new ones are forged, and the reality of possible individual firings at every level or even the shutting down of film production is on the horizon.

 

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James Carrick

James Carrick is a passionate film enthusiast with a degree in theater and philosophy. James approaches dramatic criticism from a philosophic foundation grounded in aesthetics and ethics, offering insight and analysis that reveals layers of cinematic narrative with a touch of irreverence and a dash of snark.

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  1. MacArthur October 29, 2024 at

    Hoping for Veep style comedy with sharp humor. This was not it. It’s more like Veep if veep were not a comedy. The two white guys are kinda funny but only in the way that they are pathetic. The rest of the diverse cast are there to roll their eyes at how stupid and selfish the two white men are. Disappointing .

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