The Studio

The Studio is nothing new, but it is a surprisingly funny sitcom
86/1002479
Starring
Seth Rogen, Catherine O'Hara, Ike Barinholtz
Creators
Evan Goldberg, Alex Gregory, Peter Huyck
Rating
TV-MA
Genre
Comedy, Drama
Release date
March 26, 2025
Overall Score
Rating Overview
Story/Plot/Script
Visuals/Cinematography
Performance
Direction
Non-Wokeness
Rating Summary
In a refreshing break from the bloated, overstuffed serialized fare other studios keep churning out, Apple TV’s The Studio opts for a hybrid sitcom style—mostly episodic with just a light touch of serialization.

The premiere sets a high bar the season can’t quite sustain, and the early follow-up episodes risk sliding into repetition. Still, Seth Rogen and company eventually find their rhythm, delivering a show that’s both fun and genuinely funny. It isn’t groundbreaking in the slightest, but it’s sharper and more entertaining than most of what 2025 has served up so far.

In the cutthroat world of legacy Hollywood, Seth Rogen plays Matt Remick, the fresh-faced head of crumbling Continental Studios, who’s thrown straight into the fire as he chases A-list nods while dodging boardroom sharks and franchise flops. With his ragtag exec crew, he scrambles to blend indie dreams with blockbuster bucks, all while the whole biz teeters on the edge of irrelevance.

The Studio REVIEW

No one would fault you for not wanting to give anything that Seth Rogen is a part of a chance. The man has seemingly fully shoved his head, shoulders deep up his own rectum over the past twenty years, becoming one of the most insufferable celebrities in Hollywood—and that is saying a whole lot. The Studio in no way deserves all of the accolades that it's getting. The lion's share of its recent 13 Emmy-win, is almost entirely thanks to Hollywood smuggly patting itself on the back for being able to take a joke. However, The Studio is a genuinely entertaining bit of fluff.

Credit where credit is due, the first episode is stellar. It's funny and brisk, full of larger-than-life characters masterfully played by people like Brian Cranston, who steps back into farcical comedy like Malcom in the Middle wrapped yesterday. The cinematography is viscerally integral to the storytelling without being obnoxious, and the dialogue is crisp and identifiable without the pretentiousness of many other wink-and-nod Hollywood send-ups.

After the fantastic beginning, things don't take a dive, but the magic does dwindle rather steadily. The end result is a not-so-mundane program that delivers laughs and benefits a lot from leaning hard into episodic storytelling. So, each episode has a freshness that doesn't necessarily require audiences to be bogged down by anything that they didn't love from the previous offering.

I don't know that I can bring myself to mark it as worthy of our Worth it moniker, but if you're a fan of this site, I bet you would dig The Studio as a nice distraction.

 

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James Carrick

James Carrick is a passionate film enthusiast with a degree in theater and philosophy. James approaches dramatic criticism from a philosophic foundation grounded in aesthetics and ethics, offering insight and analysis that reveals layers of cinematic narrative with a touch of irreverence and a dash of snark.

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