
- Starring
- Sylvester Stallone, Martin Starr, Jay Will
- Creator
- Taylor Sheridan
- Rating
- TV-MA
- Genre
- Action, Crime, Drama
- Release date
- Sept 21, 2025
- Where to watch
- Paramount+
Overall Score
Rating Overview
Rating Summary
So, far it's remained consistent and fun.
In the shadow of his abduction by feds, Dwight Manfredi claws his way back to the throne of Tulsa’s underworld, only to stare down the barrel of fresh chaos: a ruthless old-money clan, the Dunmires, hell-bent on devouring his budding liquor empire before it can even age. As alliances fray and old New York ghosts rattle their chains, Dwight’s ragtag crew—loyal but battered—must dodge badges, bullets, and betrayals in a high-stakes scramble to distill power from peril, where one wrong pour could flood their world in bourbon-soaked ruin.
Tulsa King (season 3) REVIEW
Tulsa King Review (S3: E1)›
Last season of Tulsa King spent more than half the season meandering between subplots, trying to find its focus. If episode one of season three is any indication, the recalibration is done, and the showrunners are ready to get out of the gate with the plot in hand.
It's not that a lot happens in this entry, so much as what does, leaves the audience feeling surefooted and gives a solid sense of the direction it will take. No doubt, there will be twists and turns along the way, but if they can maintain the focus of this initial episode, season 3 of Tulsa King should make for some fun TV.
WOKE ELEMENTS›
None
- You could argue that Stallone's character's tiny blonde henchman continuing to be used as a soldier is woke. Certainly, last season, they went out of their way to artificially make her an expert marksman. However, at least in this episode, she's barely in the background, and the actress even grew out her hair to something resembling femininity.
Tulsa King Review (S3: E2-4)›
We're nearing the halfway mark for this season, and even though it's still not serving up anything revolutionary, it's among the only programs on right now with likable characters on both sides of its opposing forces.
More than that, it's unashamedly recalibrating some of the last season's missteps— like making Mitch a used car salesman in a ten-gallon hat.
They're back to business with a very solid antagonist played by Robert Patrick, who shares some wonderfully dark chemistry with Stallone.
It even seems as though they are working on correcting the occasionally obnoxious antics of Tyson, whose random stupidity drove far too much of last season.
Tulsa King Review (S3: E5)›
We're halfway through the season, and Tulsa King continues to maintain its consistency. It's every bit as good as the first season and better than the second.
Don't get me wrong, if you're looking for innovation, this isn't the show for you, but it's solid comfort food—fun to watch and packed with characters to both love and love to hate.
If I have one criticism, it's that Dana Delany leans on her laugh as an acting crutch, often interrupting a decent moment with a fiction-rendering titter. Fans of Tombstone might remember that she did the same in it, though it fit the character better and wasn't as distracting. Still, even in Tulsa King, it's a nitpick and not enough to warrant turning the show off.
WOKE REPORT
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James Carrick
James Carrick is a passionate film enthusiast with a degree in theater and philosophy. James approaches dramatic criticism from a philosophic foundation grounded in aesthetics and ethics, offering insight and analysis that reveals layers of cinematic narrative with a touch of irreverence and a dash of snark.






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