Win or Lose

Win or Lose is a swing and a miss as a children's program, but adults might like it... and then forget about it
77/10069668
Starring
Chanel Stewart, Winston Vengapally, Josh Thomson
Creators
Carrie Hobson and Michael Yates
Rating
TV-PG
Genre
Comedy, Children, Fantasy, Sport
Release date
Feb 19, 2025
Where to watch
Disney+
Overall Score
Rating Overview
Story/Plot/Script
Visuals/Cinematography
Performance
Direction
Age Appropriate
Parent Appeal
Non-Wokeness
Rating Summary
The first two episodes of Win or Lose are brilliant examples of the visceral storytelling power of animation. Anyone who has struggled in love or at swinging a bat will see themselves in every soul crushing, anxiety-ridden second. However, despite their excellence, they're are far too mature (especially the 2nd episode) for young audiences.

Win or Lose centers around a middle school softball team, the Pickles. The story unfolds during the week leading up to their big championship game. Each episode offers a unique perspective, delving into the lives and minds of different team members, coaches, and even their families. It’s a tale of teamwork, growth, and the ups and downs of pursuing victory, both on and off the field.

Win or Lose (S1:E1&2) Review

Animation intended for adults is nothing new. The Flinstones was the first primetime animated series to grace U.S. televisions with the express intention of targeting that particular audience. However, its combination of tackling universal family dynamics with colorful characters and top-notch vocal talent, all propelled by excellent writing, quickly found family members of all ages yelling, “Yabba dabba doo!

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Of course, since that time, the genre has become a billion-dollar industry featuring programs running the maturity gamut from deep, existential reflections on the nature of destiny and perseverance (Samurai Jack) to fart and incest jokes (Family Guy).

These first two episodes of Win or Lose lean far more into the former’s camp.

Episode 1 masterfully captures the soul-crushing anxiety of being the worst member of a sports team, while the second episode delves into the loneliness and longing for connection felt by many single people in their early 30s who are trepidatiously navigating the complex and often emotionally baren lattice of today’s dating continuum (thank God I found my wife during high school when the internet was dial-up and apps were served before dinner).

Even though children with good parents who make them go outside and play may be able to connect with the concepts being portrayed, it’s doubtful that many of them will find the tone and story appealing. As for Episode 2, it in no way is something that children 8 to 12 need to be thinking about for a decade or more and is clearly not intended for them.

Ultimately, the content isn’t compelling enough to warrant a watch by adults who should be far too busy with life and watching the second season of Severance to spare 20 minutes for Win or Lose. Both episodes feel like the somewhat overly emotional shorts that have been sporadically shown in theaters before a Pixar feature film. They are well done but not particularly profound, usually forgotten quickly after they are over, and certainly not fun enough to bridge the viewer age gap.

Parental Notes

PARENTAL NOTES

Important Information for Parents

Our Parental Notes flag the material parents may want to know about before pressing play, including profanity, blasphemy, adult content, extreme violence, frightening intensity, hyper-stimulating sequences, and other family-content concerns.

UNLOCK PARENTAL NOTES.Profanity, blasphemy, adult content, extreme violence, hyper-stimulating intensity, and more.
Woke Report

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This section is our site's secret sauce, and what truly separates us from the rest. If you don't read it, you haven't read our review.

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James Carrick

James Carrick is a passionate film enthusiast with a degree in theater and philosophy. James approaches dramatic criticism from a philosophic foundation grounded in aesthetics and ethics, offering insight and analysis that reveals layers of cinematic narrative with a touch of irreverence and a dash of snark.

Leave a Review
  1. Me February 27, 2025 at

    I agree with how u classified most of the woke elements here, but a few of them feel a bit like nitpicks to me at least

    1. James Carrick February 27, 2025 at

      As a whole, nitpicks generate fewer complaints than do their omissions. Thus, I nitpick. After all, one person’s nitpick is another’s line in the sand.

      4
      1
  2. J-Man March 11, 2025 at

    This show review has really high ratings.

    Are you sure it’s that good with the story and direction?

    1. James Carrick March 11, 2025 at

      I calls’em likes I sees’em. Low B, almost a B- for the good dialogue, excellent structure, etc. Low A, almost an A-, for quality pacing and story cohesion, and excellent attention to detail.

  3. Sweet Deals March 12, 2025 at

    I won’t deny that Disney and Pixar Studios employs a large number of talented artists who definitely know how to use advanced animation software. But no amount of beautiful animation and excellent performances can rescue a movie if it ranks too high on the viewer’s puke-meter.

  4. J-Man March 12, 2025 at

    Okay, by the way, I heard that Kai is originally gonna be Trans but got changed into a cis girl.

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