Hit Man

Underdeveloped and a little redundant, Hit Man is the best Netflix and Chill that they've made in a while.
79/10015783
Starring
Glen Powell, Adria Arjona, Austin Amelio
Director
Richard Linklater
Rating
R
Genre
Action, Comedy, Crime
Release date
June 7, 2024
Where to watch
Netflix
Overall Score
Rating Overview
Story/Plot/Script
Visuals/Cinematography
Performance
Direction
Non-Wokeness
Rating Summary
The Hit Man is a mostly good movie that could have been a great movie. But it takes far too long to set the stage, does so fairly redundantly, and leaves too many secondary characters underdeveloped. As it is, 2/3 of the movie is ok, but you'll probably be scrolling through your phone during a lot of it, and the last third (except for the unearned epilogue) is where the movie should have gotten to thirty minutes earlier.

The portrayal of hitmen in movies has evolved significantly over time. Early cinema often depicted the hit man as a faceless villain, while later films explored his complex, sometimes sympathetic character. Iconic movies like “The Godfather” and “Pulp Fiction” brought the hit man to the forefront, blending ruthlessness with humanizing elements. This evolution reflects changing audience tastes and a deeper exploration of moral ambiguity in storytelling.

Hit Man (Netflix)

Picture this: an offbeat college psychology professor named Gary Johnson stumbles upon an unusual side gig. It turns out he’s a surprisingly good hit man. Armed with a nerdy charm and a penchant for deception, Johnson takes on clients desperate to escape their troubles, but he’s not just any hit man; he actually poses as one in undercover sting operations for the police. As the bullets fly (metaphorically, of course), Johnson finds himself in a romantic relationship with a client. Now, he has to navigate his two real lives and his fake one if he hopes to get to the other side with his sanity and freedom intact.

 

Netflix’s Hit Man (Mini Review)

Glen Powell is charming as the quirky Johnson, and his co-stars, even the underdeveloped ones (that is to say, all of them), manage to complement him through nearly pure charisma. Because, as delightful as everyone on screen is and as amazing as the real-life story of Gary Johnson might be, Hit Man walks when it could have flown.

More of a demo reel with a smidgeon of rom-com tossed in to showcase Powell’s range than a fully realized narrative, Hit Man coasts on good looks and hormones as male and female viewers alike insert themselves into the just-north-of PG-13, sometimes-erotic fantasy.

Had the filmmakers been less impressed with Powell and more so with Johnson, Hit Man could have been a mega-hit in the theaters. As it stands, relative to Netflix’s original offerings, especially recent Netflix offerings, Hit Man is Lawrence of Arabia. It’s a perfectly suitable date night movie, but otherwise forgettable.

 

Woke Report

WOKE REPORT

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James Carrick

James Carrick is a passionate film enthusiast with a degree in theater and philosophy. James approaches dramatic criticism from a philosophic foundation grounded in aesthetics and ethics, offering insight and analysis that reveals layers of cinematic narrative with a touch of irreverence and a dash of snark.

Leave a Review
  1. justinjacob23 October 21, 2025 at

    Thought those reason you have didn’t make it pretty woke and I didn’t like that. Also didn’t like the fact that he and his gf got away with murder! And like nothing ever happened and they’re protrayed as heroes. Not good messaging. Was well acted and funny at times with definitely an interesting plot, but didn’t like the ending

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