
- Starring
- Sam Rockwell, Marc Maron, Craig Robinson
- Directors
- Pierre Perifel, JP Sans
- Rating
- PG
- Genre
- Action, Adventure, Family
- Release date
- Aug 1, 2025
Overall Score
Rating Overview
Rating Summary
In The Bad Guys 2, the reformed animal crew—Mr. Wolf, Mr. Snake, Mr. Shark, Mr. Piranha, and Ms. Tarantula—face a new challenge when a cunning female crime squad forces them into a global heist. With Governor Diane Foxington’s past at stake, they tackle betrayal and a wild plot involving a space station heist, testing their redemption in a thrilling showdown.
The Bad Guys 2 REVIEW
Unplanned sequels to self-contained films that tell the complete story are often challenging. By the film's end, all of the interesting character conflicts have been resolved, and their arcs are complete—they are now fully realized. Throw into the mix a complete reformation from bad to good, and what does one do in the follow-up? Unfortunately, the answer for The Bad Guys 2 is to contrive a poor excuse for the main characters to return to a life of crime and to then rinse and repeat the original's plot but with less finesse.
There's really not much to say about The Bad Guys 2. The pacing is solid, and it comes in at a crisp 1h 44m. The animation, especially in the opening sequence and hinted at again throughout some of the action sequences, is a stunningly beautiful mix of styles and perspectives that dazzle without sending viewers into seizures, like it often can in the Spider-Verse cartoons.
Otherwise, The Bad Guys 2 is fairly mundane—sure to entertain the kids, but parents will likely find their attention wandering.
PARENTAL NOTES
Important Information for Parents
Our Parental Notes flag the material parents may want to know about before pressing play, including profanity, blasphemy, adult content, extreme violence, frightening intensity, hyper-stimulating sequences, and other family-content concerns.
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James Carrick
James Carrick is a passionate film enthusiast with a degree in theater and philosophy. James approaches dramatic criticism from a philosophic foundation grounded in aesthetics and ethics, offering insight and analysis that reveals layers of cinematic narrative with a touch of irreverence and a dash of snark.






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