
- Starring
- Matt Damon, Ben Affleck, Steven Yeun
- Director
- Joe Carnahan
- Rating
- R
- Genre
- Action, Crime, Drama
- Release date
- Jan 16, 2026
- Where to watch
- Netflix
Overall Score
Rating Overview
Rating Summary
In the sweltering underbelly of Miami, one routine bust changes everything. When The Rip hits, millions vanish into questions no one dares ask aloud. Partnerships fracture, secrets surface, and every choice carries a deadly cost. Trust no one.
The RIP REVIEW
Surviving entirely on Mattfleck's chemistry, The RIP is a by-the-numbers "thriller" with a twist you can see coming from space. The two Academy Award-winning actors hold up a script that's as flat as Elliot Page— one that would have been 30 minutes shorter had they cut out the phrase "The RIP."
The miscasting of Teyana Taylor, that is as unfortunate as the Macho Man costume they stuffed her in, as well as director Joe Carnahan's derivative style, aren't quite enough to entirely sink this straight-to-Netflix film, but 30 years ago, it would have been the type of movie that you would have found in the DVD bargain bin.
Though, to be fair, while this contrived microwave dinner drama won't leave you breathless by the end, it's the perfect Netflix experience for those who spend as much time on their phones as watching the movie, reitterating it's plot every ten minutes, and spinning its wheels with filler, while Gen-Z finishes hearting grams.
With just enough mystery layered on to make a case for turning it on, The RIP is adequate enough to serve as background noise, but there are far more nourishing cop dramas out there to pick from.
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James Carrick
James Carrick is a passionate film enthusiast with a degree in theater and philosophy. James approaches dramatic criticism from a philosophic foundation grounded in aesthetics and ethics, offering insight and analysis that reveals layers of cinematic narrative with a touch of irreverence and a dash of snark.






Netflix does this to themselves. They make boring movies that no one wants to watch or pay attention to, so their solution is to intentionally structure the movie for people who aren’t paying attention by providing nothing actually worth paying attention to.
I guess it no longer makes sense to develop a tight story that is interesting enough so people are willing to put their phones down and follow along to see what actually happens.
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