Trap

Trap does an amazing job of making the audience feel as though there is no way out of this nightmare of a film
55/10045393
Starring
Josh Hartnett, Ariel Donoghue, Sleka Shyamalan
Director
M. Night Shyamalan
Rating
PG-13
Genre
Crime, Horror, Mystery, Thriller
Release date
Aug. 2, 2024
Overall Score
Rating Overview
Story/Plot/Script
Visuals/Cinematography
Performance
Direction
Non-Wokeness
Rating Summary
With a laughable premise, bizarre cinematography, and a host of third-rate performances, Trap feels like the unholy child of a talented film student's thesis project and a desperate father's attempt to earn the love of his social media-famous wannabe pop star daughter.

Trap revolves around Cooper (played by Josh Hartnett), who takes his daughter, Riley, to a concert by beloved pop artist Lady Raven. However, Cooper soon discovers that the concert is actually a trap set to catch him.

Trap Review

Josh Hartnett can’t seem to get a fair shake. After starring in 2001’s schmaltzy, melodramatic, and never-ending Pearl Harbor, he’s never quite been able to find a place for himself in Hollywood. However, after a surprisingly excellent turn in last year’s smash hit, Christopher Nolan’s Oppenheimer, one might be excused for thinking that things were looking up for the one-time heartthrob.

This makes it doubly unfortunate that he found himself seduced into this ill-conceived mash of reject-dialogue nonsense written by someone who has apparently never interacted with another living human being. No doubt Hartnett was intrigued by the possibility of stretching his thespian stride over the dead bodies of the serial killer perfectly named for this creative black hole, The Butcher.  Yet, under Shyamalan’s direction, Josh struggles to find a balance between over-the-top cartoon and brutal and cunning monster.

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Only adding to the tragedy is that Harnett shows signs of brilliance from beneath the weight of unnatural dialogue and interactions with performers behaving like aliens who have only studied humanity via streaming services. This is to say that very little, if any, of what’s wrong with Trap has anything to do with Harnett. That dubious distinction rests solely on M. Night and his casting director(s), though mainly on the former.

Whereas Hartnett is a strong enough performer and was given just enough material to find nuggets of humanity to emote, the rest of the cast is left with dialogue and situations that make one wistful for Lesley Headland and The Acolyte. That said, M. Night’s daughter, Saleka, who plays the pop star Raven and gets the lion’s share of the screen time after Hartnett, looks and sounds completely lost every moment that she is not belting out a vapid ear-drilling poptastrophe.

Yet, as dumb as the premise and as tedious as its many and more concert scenes might be (and they are), the first half of Trap is serviceable, thanks almost entirely to Hartnett. While he charismatically serendipities his way from scene to scene, discovering more and more of the FBI’s impossible plan, the film’s many weaknesses could be forgiven as those of a dumb-fun summer thriller. But like much of modern cinema, Trap doesn’t actually have enough of a story to fill its already truncated runtime, and it runs out of gas at the end of the second act.

This leads to a meaningless and flat conclusion with an almost palpable feverish desire to deliver a signature Shyamalan twist. The overall result is a movie that borders on so bad that it’s good.

 

Trap Drinking Game

Rules:
  • Sip: Take a small sip of your drink.
  • Gulp: Take a bigger drink.
  • Shot: Take a shot or finish your drink.
When to Drink:
  • Sip:
    • Whenever a generic pop song plays.
    • Whenever Raven talks to the audience.
    • When Josh Hartnett’s character, The Butcher, narrowly avoids law enforcement.
    • When someone talks directly to the camera in a closeup shot.
    • Whenever the daughter says her dad is acting “weird” or “strange.”
  • Gulp:
    • When one of The Butcher’s victims is viewed via a smartphone app.
    • When a twist or surprising moment happens (especially if it feels forced).
  • Shot:
    • When someone performs a particularly cringe-worthy performance.
    • Whenever you feel the movie borders on “so bad it’s good” territory.
    • Every time M. Night Shyamalan appears on the screen.
Bonus Round:
  • Finish your drink: If Josh Hartnett has a moment where he shines despite the dialogue, delivering a genuinely good performance.

Remember to drink responsibly and have fun!

 

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James Carrick

James Carrick is a passionate film enthusiast with a degree in theater and philosophy. James approaches dramatic criticism from a philosophic foundation grounded in aesthetics and ethics, offering insight and analysis that reveals layers of cinematic narrative with a touch of irreverence and a dash of snark.

Leave a Review
  1. b August 6, 2024 at

    I was interested in seeing this until the first reviews came out and basically confirmed what I didn’t want. A good portion of this is concert footage of a no-name act. Unrelated but I’m predicting that Borderlands breaks the “based” streak of reviews. Seems like many opportunities for the women in the movie to put down the men.

  2. Bushblocker November 2, 2024 at

    Good review, however I thought Harnett’s performance was God awful. M. Knight Shymalan needs an editor/ co-writer who will tell him NO! And I’m a fan in descending order of The Sixth Sense, Signs, Split, Unbreakable, and The Visit.

    It’s like he wants to get banished from making movies again. This movie is embarrassing. His daughter is believable as a popstar only in the respect of how bad pop music is now and how bad the singers are. The plot makes no sense. Numerous huge holes.

  3. crazycarnivore January 2, 2025 at

    Maybe because I started watching this with very little info, I thought this was super-woke. I watched the first third of the film with the impression that it was a shockingly respectful depiction of a father protecting his daughter at a worldly concert. I thought he suspected that the police was hunting down a killer who might end up attacking the crowd in some way. I felt it was compelling and a rare experience to observe a vigilant, tactful, protective, family man. Needless to say, halfway through the film I felt it was all a bait and switch. I shut it off after it went down the toilet with the whole demonization of white dads schtick.

  4. kloaf11 April 8, 2026 at

    That is definitely an interesting view. I wouldn’t have personally considered that. But tbf hes a working man outsmarted by his wife and this guy is so meticulous but didn’t see it coming. Ya I can see it.

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